本•A. 敏特尔（Ben A. Minteer），亚利桑那州立大学生命科学院教授，主要研究领域为环境伦理与保护，论文刊登于《科学》《自然》《美国国家科学院院刊》等刊物。《景观革新》是他研究美国环境思想的代表作。

本•A. 敏特尔（Ben A. Minteer），亚利桑那州立大学生命科学院教授，主要研究领域为环境伦理与保护，论文刊登于《科学》《自然》《美国国家科学院院刊》等刊物。《景观革新》是他研究美国环境思想的代表作。

Much of twentieth-century design was animated by the creative tension of its essential duality: is design an art or a science? In the postwar era, American architects sought to calibrate architectural practice to evolving scientific knowledge about humans and environments, thus elevating the discipline's stature and enmeshing their work in a progressive restructuring of society...(展开全部)

Much of twentieth-century design was animated by the creative tension of its essential duality: is design an art or a science? In the postwar era, American architects sought to calibrate architectural practice to evolving scientific knowledge about humans and environments, thus elevating the discipline's stature and enmeshing their work in a progressive restructuring of society...(展开全部)

In this groundbreaking volume, based on extensive research in Chinese archives and libraries, Jan Kiely explores the pre-Communist origins of the process of systematic thought reform or reformation (ganhua) that evolved into a key component of Mao Zedong’s revolutionary restructuring of Chinese society. Focusing on ganhua as it was employed in China’s prison system, Kiely’s tho...(展开全部)

In this groundbreaking volume, based on extensive research in Chinese archives and libraries, Jan Kiely explores the pre-Communist origins of the process of systematic thought reform or reformation (ganhua) that evolved into a key component of Mao Zedong’s revolutionary restructuring of Chinese society. Focusing on ganhua as it was employed in China’s prison system, Kiely’s tho...(展开全部)

Michelangelo was acutely conscious of living in an age of religious crisis and artistic change, and for him the two issues were related. Michelangelo and the Reform of Art explores Michelangelo's awareness of artistic tradition as a means of understanding his relation, as a devoutly Christian artist, to the profound religious uncertainty of the sixteenth century. Concentrating ...(展开全部)

作者简介：圭多•卡拉布雷西 美国联邦第二巡回上诉法院资深法官。1959年起任耶鲁法学院教授，出任法官前曾任耶鲁法学院院长。他与罗纳德•科斯一道被认为是“法和经济学”的奠基人。 译者简介：郑戈 上海交通大学凯原法学院教授，博士生导师，上海高校特聘教授（东方学者）。